The Rising

Mangal Pandey
Kyon kaptan sahib... Kaale aadmi paar jor ajmayenge?

Unlike the last time, when I was waiting for my new CD love, this time I chanced upon it. I was in the local Indian store, attempting to locate the latest PC DVD, when I saw the red orange cover. Aamir Khan! Haven’t seen anything by him for a while, and then AR Rahman, my second favorite, ofcourse, I had to buy it. It took me a little bit of time to give it my full attention, but after what seems like a long time I am love with ARR music, again.
He is a master arranger, always think of him as an arranger than music maker, he overlays so many themes, weaving, interlacing and suddenly, when you least expect it, one of the themes takes over. It takes me many listenings to identify the various parallel threads. It is complex and it grows on you. My favorites move around the CD, resting atleast once on each of the numbers. His last release (Bose) was a disappointment, maybe it was the shriek-y bangla rendition of my favorite lullaby or the 'aklaa chollo re...' sung by Sonu Nigam but, I felt saddened.
Joy of joys there is no Sonu Nigam or Alka Yagnik this time. There is Kailash Kher though. I was enchanted by his voice when I heard the qawali by him in Dev.
ARR has done something I used to associate with him in his earlier days. He uses the right voice in the right way in the right place. With recent constants like Mr Nigam and mango face I had started believing that he had lost his knack for locating and using the right vocals. This time around, he surpassed himself, tons of new voices! All in the right place!

So lets start...
Mangal Mangal
Kailash Kher, Nagada and Khadtal.
There is a hindi proverb about a liar singing from his throat, a hungry man singing from his gut and a believer singing from his soul. Kher sings from his gut, something very hungry about his voice. Reminds me of the street urchins singing in the Delhi buses (two pieces of flattened stone clanging against each other for the beat). The song features, thrice in the CD, twice sung by Kher and once a duo by him and Sukhvinder Singh.
The song is a little different each time, probably features in different parts of the movie and somehow ties it together. Lovely renditions, I wouldn't have minded having it on the cd a couple more times :).

Main Vari Vari
Haven’t heard Kavita Krishnamurthy in a while, she is still as shrill and note perfect as can be. Reena Bharadwaj adds a nice balance to the KK voice. Tabla, ghungroo and sarangi mark the ‘mujra’. But the pace changes unexpectedly, I can almost visualize the abrupt ending of the song. ARR claims this to be the most difficult song for him in the entire album, I can almost see why.

Holi Re
By the time I came to this number, I had to go check the lyricist. None other than Javed Akhtar( of the Salim-Javed fame). Reminiscent of Kabir and Rahim in places ( if I might be so bold ). A great mixture of khadi boli, awadhi and urdu. Very period appropriate. And very well written. It is far and away from the fancy words and the vivid imagery of Gulzar, economical and prudent use of simple words. Definitely Bharat Vyas-ish.

Aamir Khan could almost be Mahipal (from Navrang) in his rendition of the initial part. Only ARR can make Udit Narayan sing like this. There is Madhushree, Srinivas and Chinmay too. Very bhraj bhumi. Somehow, ARR always does this. He takes something like a holi number and manages to go against the ingrained sound for the ‘genre’, which in this case is Amitabh Bachan sound-like and does something that is beautiful and still sounds just right. Just like he did with ‘mera rang de basanti chola’ I never thought someone could make me forget the original tune; but he did.


Rasiya
Richa Sharma, a singer who tries to make up with attitude what she lacks in aptitude for singing and a relatively unknown voice, Bonnie Chakraborty. Amazing. Bonnie is the real winner. She sings in the lower octave, usually better suited to male voices and hardly ever dared by female singers. Richa and Bonnie provide a perfect contrast as far as vocals are concerned. The words are beautiful, Richa’s attitude comes in very handy uttering words like ‘Challia’, ‘Rasiya’. The quaint mix of hindu and muslim influences that go by the name of ‘hindustani classical’. The backdrop of the beat and the chorus adds extended character if you will. A single twinkling anklet in the last few lines. Wonderful.

Takey Takey.
Sukhvinder Singh, Kher and Kartick Das Baul. A market place song with a chorus of kids. Hyper paced, with a soul. I heard a rooster crow in the song. It changes beat when you least expect it.
Starts with the snake charmer’s Been. The verbal gymnastics are beautifully rendered. Very nice, most definitely my favorite song so far.

Al Maddaath Maula
Ofcourse, there has to be an ARR sung song, but it seems the guy is learning about the limitations of his singing abilities. His voice is relegated to adding a dimension to the song and not something in the forefront. A lesser known type of sufi devotional music. Not the ‘regular qawali’. This is something that reminds me of a dargah in Lucknow…very sufi and very nice.


The music brings nostalgia …paints a picture of the age all of us read about in our history books, the mutiny of 1857. The hindu-muslim confluence to the patriotic beat is unmistakable. Very different from the pure Punjabi bhagat singh, just as patriotic nevertheless. The walk of Mangal Pandey to the gallows is just as moving as one in Bharat Singh. I think the movie is going to be nice. I hope it is going to be nice, last time I went gaga over a music album ... the movie almost broke my heart. This time it is Ketan Mehta ( not Amol Palekar) and Aamir Khan( and not SRK). There is hope; yet.